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城市设计
北京新中国建筑遗产保护与建筑师剪影 ——北京建院前辈建筑师略议
金 磊
Preservation of New China’s Architectural Heritage in Beijing and Portraits of Architects: A Brief Discussion on Senior Architects of Beijing Institute of Architectural Design
Lei Jin
摘要 本文认为20世纪城市与建筑遗产,在遗产的百花园中虽属新型遗产,但其量大面广构成了新中国历史街区与历史建筑的“底色”。面对国家倡导的城市更新行动及中央城市工作会议精神,要求建设崇德向善文明城市,文章强调要将保护工作重点转向以“传承”为导向的活态利用上,改变以留存为单一目标的“固有”保护方式,要着力建设整体、真实的城市更新文脉保护新方式。在建筑师、规划师中坚持既不过度修缮、又不过度开发的理念及方法,阐明20世纪遗产的保护观是基于人的需求的属性。尽管新中国建筑遗产存在代际划分,但它已成为承载珍贵事件记忆的经典建筑及建筑师的集合。文章还基于与共和国同龄的北京建院“事件·作品·人物·思想”的机构史研究,重点叙事“作品与人”,以期梳理对新中国建筑遗产发展与认知有价值的时代意义。笔者认为,中国有现代建筑史,但缺少较完整的设计机构史,更缺少完整的建筑师史及新中国建筑遗产史。为此,本文坚持以人为本的遗产观,既理性认识新遗产,发展创造遗产类型,也兑现遗产为城市人民服务的多重价值。
关键词 新中国经典建筑20 世纪遗产价值阐释北京建筑与建筑师    
Abstract:This article argues that 20th-century urban and architectural heritage, though a newer form within the diverse heritage landscape, constitutes the fundamental “background”of historical districts and buildings in New China due to its vast quantity and wide distribution. In light of the national push for urban renewal and the guiding principles from the Central Urban Work Conference, which call for building ethically sound and civilized cities, this paper emphasizes shifting the focus of conservation toward a “transmission”-oriented approach of living utilization. It advocates moving beyond the conventional preservation model focused merely on physical retention, and instead fostering integrated and authentic new methods for protecting the cultural context in urban renewal. The article urges architects and planners to adhere to principles and methods that avoid both excessive restoration and overdevelopment, clarifying that the conservation of 20th-Century heritage should be grounded in human needs. Although New China’s architectural heritage can be classified by generation, its creation has yielded precious memories linked to iconic buildings and architects. Drawing on institutional historical research of the Beijing Institute of rchitectural Design—founded in the same year as the People’s Republic—framed around “events, works, individuals, and ideas,” this paper focuses on narrating “works and people” to elucidate the epochal significance valuable for the development and understanding of New China’s architectural heritage. The author maintains that while China possesses a history of modern architecture, it lacks a relatively complete history of design institutions, and even more so a comprehensive history of architects and of New China’s architectural heritage. Therefore, this paper upholds a human-centered view of heritage, promoting a rational understanding of newer heritage, developing innovative heritage typologies, and fulfilling the multiple values of heritage in serving urban communities.
Key wordsClassic Architecture of New China    20th-Century Heritage    Interpretation of values    Beijing architectureand architects
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